Statement
As a figurative painter with a strong interest in the human body, I work the line between differing belief systems and ideologies, contradictions referring to human condition and environment, as well as attitudes concerning trends in painting and art. His commitment to figuration also stems from a desire to make art more accessible to a broad public. By painting black and white, faceless figures within vibrant, multicolored environments, I create a dynamic dialogue between past and present, where tradition and contemporaneity interact and challenge one another. This interaction leaves an intentional opening for the viewer’s imagination, creating a mirror effect between the artwork and the audience, thereby questioning and breaking taboos. Working with live models, they highlight the vulnerability and conditioning of bodies while revealing the influence bodies exert on the spaces and contexts they inhabit. Through this process, I stage the complex realities of society, offering viewers an opportunity for reflection and critical engagement. Fundamentally, I view painting not only as a form of emotional or linguistic expression but also as a marker of historical presence — a vessel for memory.
